Showing posts with label Assignments. Show all posts
Showing posts with label Assignments. Show all posts

Thursday, October 18, 2018


Landscape—Ambitious, In-Depth Assignment; Topic plan from today on.

You will create a wearable or performance-based artwork that addresses landscape either as place, potential, concept or folly.  Some artists from whom you can draw inspiration are Rebecca Horn, Helio Oiticica, Adrian Piper, Oskar Schlemmer, Loïe Fuller, Nick Cave (soundsuits, not musician), Louise Bourgeois (‘A Banquet’).

For critique, you will need to wear, or perform your work.  It is acceptable for you to have someone else wear your work, or to perform your work, provided that it is of professional quality.

Performances should last between 1 – 3 minutes in duration.

This is not a fashion show, jewelry display event, costume party or Halloween event (though it is timely,  isn’t it?).

Wearable art is not to be considered as an accessory, an embellishment, or otherwise decorative element.  Wearable art relies on the body for activation, and cannot exist or function in the same way off the body; it is an extension, expansion, or modification of the body.

This project is DUE Tuesday, October 30 at 10 AM.

We will have a presentation on Tuesday, October 23 that talks more about Land Art, Landscape and the Body-as-Site.  We will have an activity that day related to performance and also go to Keilah’s studio at 2 PM on October 23 as well.

Added information based on student questions:

You may present a documentation of performance if the performance is site-specific or has requirements that can't be met in the classroom (ex: use of a hose, house or horse).

To begin to approach this assignment, begin by considering your relationship to the body--to your body, specifically as a physical entity, and to your body as something that moves through the world.

Consider, also, that the category of "folly" relates to Marie Antoinette's Hameau, and the animal preserve created in the desert that we looked at in class--each of these are sites that require extensive investment of time, resources and money, and are reserved for a small group of people.  They also connote the idea of waste of resources and money when viewed by those who do not have access to the folly.  Additionally, the folly is something created primarily for diversion.  If you address this aspect of landscape, you have the ability to address both social and class issues.


Thursday, October 11, 2018

Topic Four: Landscape--Representation, Intervention and Body-as-Site

This will be an expansive topic that addresses both historical and contemporary art.  We examine the relationship of humans to nature, humanity to the land, culture as an intervention in the landscape, and the body as a representation of site.

This unit will require two outside visits; one will be to an actual garden, and the other will be to a museum exhibition or to an artist talk or panel discussion.  We are fortunate to have a lot of exhibitions in town that address the issues under consideration for this topic.  This topic will also require one or more reading/research assignments.

Your first assignments are listed here; there will be more added at a later date in another post.

Reading #1: Green Dreams (Eccentric Spaces [Chapter 1], by Robert Harbison), DUE October 15 at 10 PM.  This reading will be distributed in class; the response form is found here.

Outside Visit #1: Garden, DUE October 22 at 10 PM.  The form for the Garden visit is here.  Please note that some of the entry-hours or fee information may be out of date; I will be updating that this weekend--it may be best for you to confirm if you plan to attend before then.  I will change this text to reflect that all info is current once I have the time to verify the information.

You must attend one of these museum/garden options to visit and respond to:

 

A.
 Vizcaya Museum and Gardens (Coconut Grove, FL) 
3251 South Miami Avenue, Miami, FL 33129

Open 9:30 a.m. to 4:30 p.m. except Tuesdays, 
Thanksgiving and Christmas.

Student Admission $15.

Directions and parking info here. The Vizcaya Metrorail station is within walking distance to the Vizcaya Museum. 

Deals- Sometimes you can get a “Museum Pass” from your local library for free admission to Vizcaya. You may also be able to purchase discounted tickets for $5 from Culture Shock Miami if you are 22 years old or younger. They may have other deals; I will research it and add it to this information if I find any.


B. 
Deering Estate at Cutler (Cutler Bay, FL)
16701 SW 72nd Ave., Miami, FL 33157

Open 10:00 am to 5:00 pm (no admission after 4:00 pm),except Thanksgiving and Christmas.

Admission $12. 

Directions and parking info here. Street address is different than location of park entrance

Deals- The “Museum Pass” available from the Library allows free entry to the Deering Estate. Through October, enjoy buy one admission ticket and receive a second admission ticket of equal or lesser value for free. Offer valid for general admission only. Please see coupon for more details.


C.
Fairchild Tropical Garden (Coral Gables, FL)
10901 Old Cutler Road, Coral Gables, FL 33156

Open Daily 9:30 AM to 4:30 PM,
except Christmas.

Admission for Non-Member Adults - $25

Directions are here

Deals- You may be able to purchase discounted, $5 tickets from Culture Shock Miami if you are 22 years old or younger. 

D. 
The Kampong (Coconut Grove, FL)
4013 S. Douglas RD, Coconut Grove, 33133

Open for "Self-Guided Tours", 10 AM - 3 PM, Mon - Sat, reservations necessary: 305-442-7169 or kampong@ntbg.org

Students with ID, $10. 

E. 
The Barnacle Historic State Park (Coconut Grove, FL)
3485 Main Highway, Coconut Grove, 33133

Closed Tuesdays, open 9 AM to 5 PM

$2 entry fee

F.
Morikami Museums and Japanese Gardens (Delray Beach, Florida)
4000 Morikama Park RD, Delray Beach, FL, 33446

Open Tuesdays - Sunday, 10 AM - 5 PM

Students with ID $11

G.
Pinecrest Gardens (Pinecrest, FL)
11000 Red Road, Pinecrest, FL, 33156

9 AM - 5 PM on Saturday and Sunday; 10 AM - 5 PM, Monday through Friday 

$5 entry fee

F.
Miami Beach Botanical Gardens
2000 Convention Center Dr.
Miami Beach, FL 33139


Tuesday through Sunday, 9 AM - 5 PM

Free entry 


Outside Visit #2: Exhibition or TalkDUE October 24 at 10 PM.  You will be given a form for this visit.  THIS LIST IS CURRENTLY INCOMPLETE, MORE OPTIONS WILL BE ADDED.

There are two talks this weekend that are relevant to this topic.  You will be given a form for this.

Talks:

A) 
Process and Participation, Surrounded Islands Project; Social Sculpture and Panel Discussion moderated by Veronica Fazzio
Saturday, Oct. 13, 3 - 5 PM
Miami-Dade County Public Library--Main Library
101 W Flager ST, Miami, FL, 33130

Description:

Enjoy an experimental panel discussion with artists Kerry Ware, David Bricker and Veronica Fazzio. Learn how Miami participated in the Christo and Jeanne‑Claude Surrounded Islands project and how the city was temporarily and forever transformed.

More information located here.

B)
Relational Undercurrents--Contemporary Art of the Caribbean Archipelago
Saturday, Oct. 13, 3 - 4 PM
Frost Art Museum, FIU
Modesto Maidique Campus
10975 SW 17th Street
Miami, FL. 33199

Description: 

Please join us for a panel discussion on contemporary art by Caribbean artists and the prevailing issues related to the Caribbean diaspora with moderator Dr. Tatiana Flores curator of Relational Undercurrents: Contemporary Art of the Caribbean Archipelago. Panelists include Adler Guerrier and Charo Oquet, both artists featured in the exhibition, and Dr. Andrea J. Queeley, Associate Professor of Anthropology. The panel will be followed by the exhibition opening.

More information located here.

EXHIBITION VISITS WILL BE ADDED TO THIS POST THIS WEEKEND.


Assignment #1: Street or Garden. DUE Thursday, October 18 at 10 AM

This is an observational exercise and will require you to immerse yourself in the landscape or city. For this assignment, choose either a or b. Allow yourself to be informed by what we learned from the viewing of Rivers and Tides.

a) Street.
Step 1- 
Choose a street. 
Walk the length of it, as far as you can. 
Find a place to sit and observe. 
Record all the sensory information you can take in: sights, sounds, scents, tastes, and textures. In your sketchbook, write for 30 minutes (on-site), and then draw for 30 minutes (on-site). 

Step 2- 
Use this information to make an imaginary creation in your studio. Size: 10 inches minimum, shortest dimension, media of your choice.

b) Garden.
Step 1- 
Choose a garden or park, a public place, not your back yard. 
Find a place to sit and observe. 
Record all the sensory information you can take in: sights, sounds, scents, tastes, and textures. In your sketchbook, write for 30 minutes (on-site), and then draw for 30 minutes (on-site). 

Step 2- 
Use this information to make an imaginary creation in your studio. Size: 10 inches minimum, shortest dimension, media of your choice.

Tuesday, October 2, 2018

Topic Three: Rhinoceros, Part Three

Portrait/Propaganda (Ambitious/In-Depth Assignment), DUE Tuesday, October 9

This is a two-part assignment.  Work may be created in any medium, but each work should be no smaller than 8” in the smallest dimension; 2D works cannot be smaller than 8" x 10".

Part A--Portrait) students will create a portrait of an individual.  This choice will be realized through specific formal choices—composition, color, line weight, energy, texture, scale, contrast, etc.—in the medium of their choice.  The portrait should also be a good representational likeness of the individual, and not an abstraction or substitution (e.g.: a person must be represented by a person, and not by a bottle, or a cow, for example).

Part B--Propaganda) Students will next create a form of propaganda—some combination of text/speech and image that will promote an intentionally shaped message about the same subject.  Refer to the guide we looked at in class today for propaganda strategies.  This work is required to use text (or speech, if performative/time based); consider that there are many ways to use text; it doesn’t simply have to be a digital insertion.  Formal choices will also be important in the propaganda.  

Plan for Thursday, October 4

Meet in WARP room--anything that you need to store can be securely locked in space that Don or I have access to.  Remember to travel light, wear sunscreen if necessary, and wear suitable clothing and shoes.  Check the weather report, as well. 

  • Introduction to the Wolfson Library, 10:30 AM - 11:30 AM
  • Lunch/travel to PAMM via Metromover: 11:30 - 12:15 (approx)--Note that we will have a few options for lunch: you can bring your own, you can purchase lunch near Wolfson, you can purchase lunch from the cafe at PAMM.  I think that we should travel as a group to PAMM, then eat lunch at the outdoor seating areas there, provided the weather is good.
  • PAMM visit--Sid Grossman: Photography, Politics and the Ethical Image, lead by K & D 12:30 - 2:15, followed by the public tour, which starts at 2:30.  Because the public tour may run beyond 2:50 (I'm uncertain of the length), it is optional to attend the whole tour for those students who have a time conflict beyond our scheduled class time or for those who need the extra transit time to make it on-time to another class after ours.
You can preview some information about the Sid Grossman exhibition here.
The museum has advised us of certain concerns:

"Backpacks (all sizes), umbrellas, cameras, and water bottles/food are not permitted in the galleries.  Therefore, in order to ease the process of check-in; please make plans to travel light and refrain from bringing these items with you on your visit! In the case that someone from the group does bring any of the mentioned items, we require that they be stored within the lockers provided on-site. The lockers are free, provided the guest supplies us with a valid form of identification (driver’s license/passport), which, we will hold onto until keys are returned."


Thursday, September 27, 2018

Topic Three: Rhinoceros, Part Two

Topic Three Research Assignment #2, DUE Monday, October 1 at 10 PM:

Today in class, you were given a reading, Photographing the Past During the Present (Chapter 6), A People's Art History of the United States; Nicolas Lampert, 2013.

The form for this reading is found here, and is due Monday, October 1 at 10 PM.

Topic Three Assignment (Creature/Other) #1, DUE Tuesday, October 2, at 10 AM:

The last page of the Clarke reading (The First Lisbon, or Durer, Rhinoceros) contains the texts from which you will depict what was described.

Creature/Other-- using source texts from a) scientific observation (biology) [Creature] and b) colonial 'exploration' [Other] as source material to visually depict what is described.  Students are limited to using their imagination, and are discouraged from researching the text online.  The idea is to understand the role of early artists and illustrators as important interpreter/creators of visual culture, as well as scientific and anthropological 'fact'.  Choose one of each for the two types of text options.  Work may be created in any medium; 2D work should be no smaller than 8.5" x 11".







Thursday, September 20, 2018

Topic Three: Rhinoceros, Part One

Topic Three: Rhinoceros--Communication, Illustration, Propaganda, and Interpretation

There is no ‘pure’ image—images always carry an embedded bias of their creator or of the era in which the image was made; the bias can be unintentional, contextually historical, or intentional.  Images can serve different purposes, too: consider the different contexts and functions of scientific illustration, individual portraiture, or religious, political, or other propaganda.

The overall goal of this Topic is to cause students to first see representation, then trace the influence of representation into the intentional creation of meaning (communication, illustration, propaganda)

Research Assignment #1: 

Reading: The First Lisbon or Durer Rhinoceros of 1515 (Chapter 1), The Rhinoceros from Durer to Stubbs; 1515 - 1799; T. H. Clarke, 1986; pages 16 - 27.  Digital copy here.  Physical copy available for pickup in the mailbox on Don's door (5601-19).  You will have a form due for this reading on Wednesday, Sept. 26. We highly recommend that you get the physical copy of the reading.

The last two pages of the physical copy of the reading are information for the first art assignment.

Information about the first artwork assignment will be added to this post after we explain it in class.


Topic Two: Pattern and Ornament, Part 3

The presentation that we were unable to continue in class today can be found here.  This presentation gives you further context for the CAM Raleigh reading, as well as contextual information regarding Modernism, Kitsch and Postmodernism.  Please review it; it will help your overall understanding of the topic.

Information Regarding Critique, Tuesday, September 25:

You now have 4 full working days to create an ambitious artwork that is derived from the processes we modeled to you throughout the duration of this topic. 

Critique will be broken up into two groups, one with Don (groups A & B) and the other with Kathleen (groups C & D).  Meet in our regular room; Don's group will set up for critique in 5208.  Don's group should not set up work in 5219.

Topic Two: Pattern and Ornament
Critique ‘Rubric’

1)      Relevance to Topic Two: Can the viewer understand how individual and/or cultural experience has shaped or influenced the design and execution of the artwork? 
2)      Ambition: Is the work ambitious? Did you invest significant time in the process, and does it show?
3)      Execution: Does the work successfully convey what you intended?  Consider this through: your craftsmanship, your communicative goals, your use of design, your compositional decisions, your technical choices, and your skills.
4)      Professionalism: Is the work presented in a professional manner?  Understand that “professional” doesn’t automatically mean “framed”, “matted”, or “on a pedestal”.  Presentation that is not professional is most obvious because it distracts from the presence and communicative goals of the artwork by an intrusion of unintentional context.

Tuesday, September 11, 2018

Topic Two: Pattern and Ornament, Part 2 of 2

Research Assignment #2, DUE Sept. 17 at 10 PM (on your blog, as a post):

Using a digital camera, take images of examples of pattern and ornament that you see in your daily life.


Assignment #2 DUE Sept. 18 at 10 AM:

Select a chair pattern from one of the four options provided below.  You will use this pattern to interpret, build on, or 'arrange' (reconfigure), taking your own interests, experience, strengths and skills into account.  Find a way to make something from the pattern that is 'your own', but that is still a chair.  Create (draw/paint/digitally make) three views of this chair: Top view, Side View, Front View.  Each image should be 8" x 10".  You will have a week to create these drawings.

1. Eames


2. Hepplewhite


3. Renaissance Folding 


4. Sheraton




Assignment #3 DUE Sept 18 at 10 AM:

Greyscale Repeat Pattern--you will be given a demonstration in how to create a repeat pattern on Thursday, September  13.  Create a greyscale repeat using the method instructed, on an 8.5" x 11" looseleaf sheet of paper.  You will turn this in to the professors; it cannot exist in your sketchbook.

Research Assignment #3, DUE Sept. 19 at 10 PM:
Reading- here is the online reading and form.  This post will be updated by the 13th with that info.

Assignment #4  DUE Sept 25 at 10 AM [CRIT]:

Quadrant Abstraction--we will assign you a quadrant that you will use to abstract one of your chair views.  From this, you will create an artwork in any medium of your choice that will be ambitious, and which fulfills one of the purposes or goals you have personally established for your body of work.  We will assign you the quadrant on Sept. 18; you will have a week to create this artwork.

Thursday, September 6, 2018

Topic Two: Pattern and Ornament, Part 1 of 2

Topic Overview

This next topic will be a consideration of both design and fabrication through the focusing concepts of pattern and ornament in art, craft and architecture.  Some questions that we will consider are: In what ways are design and execution related as a cohesive process?  How are design ideas and concepts transmitted?  What are the steps necessary to take a design from idea to actuality?  What is the relationship between design and decoration?  What ideas does decoration transmit?

This topic will consider a historical and global viewpoint.  The reading will be challenging for most of you, as will be many of the concepts which underpin this topic.  Our goal is to dig deep, rather than to remain at a level of popular understanding.  We will be examining both design and making as integral, essential thought processes.

Required Outside Visit--Deadline Sept. 17

There will be a required Outside Visit for this topic; this is part of your research grade for the course.  You will be required to go to the Wolfsonian-FIU Museum on Miami Beach.  You must use the following exhibition for your visit for this topic, but we encourage you to see them all:

Art and Design in the Modern Age: Selections from the Wolfsonian Permanent Collection

You will be given a form response for this Outside Visit--your form response is DUE Monday, September 17 at 10 PM.  Additionally, you are required to take a selfie while in the exhibit to post on your blog.  You may also post any other information regarding the visit on your blog, if you like. The Google Form is HERE <-- hint: this is a link; you can click on it.

On Friday, September 7, and Friday, September 14, the Wolfsonian will be offering a free, 45-minute long guided tour that begins at 6 PM.  Fridays allow free entry between 6 - 9 PM.

The Wolfsonian is located at:

1001 Washington Avenue, Miami Beach, FL 33139
At the corner of 10th Street & Washington Avenue 

These are the museum's hours:

Monday, Tuesday, Thursday, Saturday | 10am–6pm
Wednesday | closed
Friday | 10am–9pm (free 6–9pm)
Sunday | noon–6pm

Assignments--Deadlines: Various

You will have brought materials in to class on Thursday, September 6.

In-class Exercises, Thursday, September 6:

  • Directed Drawings (three)
  • 2D-to-3D translation

These exercises need to be documented on your blog.

Research Assignment #1, READING (DUE September 10, 10 PM):

You will be given a printed copy of the reading, as well as a form questionnaire for your response.  The Google Form is here. We will have a discussion about this reading in class on September 11.  Your form response will be due September 10 at 10 PM.

Ivins, William M. ""Ornament" and the Sources of Design in the Decorative Arts." The Metropolitan Museum of Art Bulletin 13, no. 2 (1918): 35-41. Available on JSTOR through the MDC Library.
http://www.jstor.org/stable/10.2307/3254155

Assignment One: Kit & Instructions (DUE Tuesday, September 11):

Create a set of instructions that inform how to recreate the 3D form you built in class on Thursday. These instructions will accompany a kit of all materials required to build it. Bring both the instructions and the kit into class on Tuesday, September 11.



More assignments to follow.  [Post will be updated.]